A Chinese floral and bird wucai lidded vase from the Shunzhi period (1644–1661) showcases vibrant overglaze enamel designs. This transitional piece reflects late Ming artistic influences, featuring intricate floral patterns symbolizing prosperity and birds representing harmony. Such vases exemplify the fine craftsmanship and decorative innovation of Shunzhi porcelain, which blended Ming traditions with emerging Qing aesthetic elements.
The "Hundred Bats Vase" is a masterpiece of Chinese porcelain art, featuring a famille rose (fencai) design. The motif of numerous bats represents blessings, happiness, and good fortune in Chinese culture. Although the Guangxu mark links the vase to the late Qing Dynasty (1875–1908), its production is attributed to the Early Republic period (1912–1942). L i s t e d …
The Jun ware, known for its distinctive opalescent glazes that often show striking blues, purples, and soft reds, was produced during the Jin Dynasty (1115–1234). This type of pottery is highly valued for its aesthetic appeal and rich glazes, which were achieved by firing copper and iron elements under a reduction atmosphere. The twin handles on this jar are also…
While the association between "soldier vase" and their sentinel-like appearance seems apparent, the term actually originates from a unique diplomatic transaction, highlighting the European nobility's admiration for Chinese luxury goods during the China Trade Period. Augustus the Strong of Saxony, whose reign spanned from 1694 to 1733, harbored an obsession for Chinese porcelain. In negotiations with Frederick the Great of Prussia…
Bronze figures of sages or immortals are a key part of Chinese art from the Ming (1368–1644) and Qing (1644–1912) dynasties. They often depict revered historical or mythological figures like Laozi and Confucius, symbolizing wisdom and virtue. These sculptures, sometimes shown with symbolic animals or mythical creatures, served as both decorative art and representations of Confucian or Daoist ideals. L…
Sold at Rob Michiels in 2022 see link: https://www.rm-auctions.com/nl/aziatische-kunst-mei-2022/24190-een-chinese-hardstenen-gaiwan-dekselkom-18-19e-eeuw Originally used during the Ming Dynasty (1368-1644), the gaiwan, meaning "lidded bowl," emerged as a versatile vessel for brewing and drinking tea. Made from various materials such as porcelain, ceramic, and later, hard stone. The use of hard stone for crafting gaiwans became popular during the Qing Dynasty (1644-1912), particularly during…
Originating from the Longquan kilns in Zhejiang province, Longquan celadon is celebrated for its distinctive green glaze, which ranges from pale, almost jade-like hues to a deeper olive-green. The production of Longquan celadon peaked during the Song (960-1279) and Yuan (1279-1368) dynasties. The bowls were often created with intricate designs, such as floral carvings or molded motifs, and they became…
The Song Dynasty (960–1279) was a golden age for Chinese ceramics, marked by its technical advancements and refined aesthetic. This period saw the rise of simple, elegant designs that highlighted natural beauty, often with muted glazes in shades like celadon, white, or light blue. Song potters valued subtlety and form over elaborate decoration, focusing on creating graceful, harmonious shapes. Bowls…
A stunning pair of Chinese blue and white porcelain dishes, each intricately decorated with a central basket of flowers motif surrounded by floral sprays. These dishes showcase the artistry of the Kangxi period (1662–1722), celebrated for its refined porcelain and elegant cobalt blue decoration. The finely painted details and balanced composition reflect the exceptional craftsmanship of early Qing Dynasty ceramics.…
