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A blue-ground cloisonné enamel vase with floral decorations, Meiji period (1868-1912)
- During the Meiji period in Japan, which spanned from 1868 to 1912, there was a significant revival and transformation of traditional crafts, including cloisonné enamelware. This period marked Japan's modernization and increased exposure to Western artistic styles, leading to a synthesis of Western techniques with traditional Japanese aesthetics. Cloisonné, a technique involving the use of metal strips to create compartments…
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A Chinese blue and white porcelain pot, Ming Dynasty, Wanli Period (1573-1619)
- During the Ming Dynasty's Wanli Period (1573-1619), blue and white porcelain production reached its zenith in China. The Wanli reign was characterized by a flourishing economy, expanding trade networks, and significant advancements in porcelain-making technology. Blue and white porcelain, featuring cobalt oxide painted under a clear glaze, became immensely popular both domestically and for export. This period saw the refinement…
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A Chinese Biscuit porcelain teapot carved with dragons on both sides, late 19th century
- Chinese biscuit porcelain, also known as "biscuit-fired" or "unglazed" porcelain, refers to a type of ceramic ware that is fired at a high temperature without a glaze. This results in a matte or unglazed surface finish. Biscuit porcelain has been produced in China for centuries and has been used for various purposes, including teapots, vases, figurines, and other decorative items.…
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A Chinese black-ground vase decorated in grisaille with a figure on horseback with attendants, 19th century
- Grisaille, a decorative technique using shades of gray, was popular during the late Qing Dynasty. This style allowed for intricate and detailed designs to be painted on porcelain vessels, creating a striking contrast against a dark background. The motif of a figure on horseback with attendants is a common theme found in Chinese art and literature, often symbolizing power, leadership,…
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A Chinese blue and white openwork porcelain ‘Devil’s Work’ bowl, Chongzhen period (1627-1644)
- Amidst the bustling marketplaces of 17th-century China, during the Chongzhen period, there emerged an extraordinary openwork Linglong "Devil's Work" bowl. Legend spoke of a skilled artisan who dared to challenge the boundaries of artistry, crafting a bowl with such intricate openwork patterns that it was deemed the "Devil's Work." Each delicate cut and curve in the porcelain seemed to defy…
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A Chinese bronze gilded cat with pearl eyes on a wooden base, Early 20th century
- Bronze casting has a long history in China, dating back to ancient times, and was traditionally used to create ritual vessels, sculptures, and other decorative objects. The depiction of a cat, a symbol of good fortune and protection in Chinese culture, further enhances the significance of this sculpture. Cats were often depicted in Chinese art as guardians of the home…
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A Chinese brush washer, oil-spotted celadon pottery, 19th century
- Oil-spot glaze, also known as "temmoku" or "tenmoku," is a type of glaze used in ceramic art that originated in ancient China. It is characterized by its rich, glossy surface with distinctive dark spots resembling drops of oil. These spots are created during the firing process when iron oxide in the glaze forms clusters or crystals, resulting in the unique…
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A Chinese Carved Deep Relief Gilt Wood Panel Depicting Warrior Scenes
- In traditional Chinese art, depictions of warriors and battle scenes were common motifs that reflected the martial spirit, valor, and historical narratives of ancient China. These themes were often portrayed in various art forms, including paintings, sculptures, and carved panels like the one described. These carved gilt wood panels were highly valued in traditional Chinese art and were often used…
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A Chinese floral and bird Wucai Lidded vase, Shunzi period (1644–1661)
- A Chinese floral and bird wucai lidded vase from the Shunzhi period (1644–1661) showcases vibrant overglaze enamel designs. This transitional piece reflects late Ming artistic influences, featuring intricate floral patterns symbolizing prosperity and birds representing harmony. Such vases exemplify the fine craftsmanship and decorative innovation of Shunzhi porcelain, which blended Ming traditions with emerging Qing aesthetic elements.
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A Chinese large Garlic neck vase Coral red glaze , early 19th century
- During the Kangxi period (1662-1722), Chinese porcelain artisans created exquisite pieces like this plate, adorned with Imari decoration molded in lotus leaf form. Imari ware, originating from Japan but popularized in China during this period, featured vibrant colors and intricate designs. The lotus leaf motif, symbolizing purity and enlightenment in Chinese culture, adds a touch of elegance to the piece.…
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A Chinese Ming tripod incense burner, Arabic-inscribed, Xuande marked
- The presence of Arabic inscriptions on a Chinese Ming tripod incense burner marked with the Xuande seal is a fascinating indication of the extensive trade and cultural exchanges that occurred during the Ming Dynasty (1368-1644) in China. During the Ming Dynasty, China experienced a period of economic prosperity and global trade expansion. Maritime trade routes, such as the famous maritime…
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A Chinese pale green celadon water pot, Qianlong underglaze blue marked, early 19th century
- The production of celadon pottery, known for its pale green color and characteristic glaze, has a long history in Chinese ceramics. Celadon ware reached its peak during the Song Dynasty (960-1279) but continued to be produced and appreciated in later periods, including the Qing Dynasty. During the early 19th century, China experienced a period of cultural and artistic revival under…
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A Chinese porcelain “Millefleurs” vase, Marked Guangxu
- During the late Qing Dynasty in China, particularly during the Guangxu reign (1875-1908), there was a resurgence of interest in traditional arts and crafts. This period saw a revival of various decorative techniques, including the popular "Millefleurs" style in porcelain production. The term "Millefleurs" translates to "thousand flowers" in French, and it refers to a decorative style characterized by densely…
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A Chinese porcelain ‘Hundred Bats’ vase with fencai decoration, bearing a Guangxu mark, Early Republic period (1912–1942)
- The "Hundred Bats Vase" is a masterpiece of Chinese porcelain art, featuring a famille rose (fencai) design. The motif of numerous bats represents blessings, happiness, and good fortune in Chinese culture. Although the Guangxu mark links the vase to the late Qing Dynasty (1875–1908), its production is attributed to the Early Republic period (1912–1942). L i s t e d …
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A Chinese porcelain bottle vase depicting a romantic couple, bird, and interior scene. Overglaze red mark of Daoguang (1821-1850)
- During the Daoguang period (1821-1850) of the Qing Dynasty in China, porcelain production reached new heights of innovation and artistic expression. This era was characterized by a resurgence of traditional Chinese craftsmanship and a revival of classical themes in porcelain decoration. The Chinese porcelain bottle vase depicting a romantic couple, bird, and interior scene reflects the artistic trends of the…
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A Chinese porcelain bowl depicting scenes of Jiangxi Province, dating from the 19th century
- Jiangxi Province, located in southeastern China, is renowned for its rich history, cultural heritage, and natural beauty. Throughout history, Jiangxi has been a center of cultural, economic, and political activity. It was the site of important events during the Ming and Qing dynasties, and it played a crucial role in shaping Chinese history. The scenes depicted on these bowls might…
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A Chinese porcelain bowl with peach, Chenghua marked, Tongzhi period (1862-1874)
- During the Tongzhi period of the Qing Dynasty (1862-1874), there was a revival of interest in traditional Chinese art and culture. Porcelain production flourished, and artisans often looked to earlier dynastic periods, such as the Ming Dynasty, for inspiration. The mention of "Chenghua marked" indicates that the bowl bears a mark resembling that of the Chenghua Emperor, who ruled during…
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A Chinese porcelain Famille Rose ‘Wu Shuang Pu’ teapot depicting ‘Cao E’ and ‘Ban Chao’, 19th century
- The Famille Rose technique, characterized by its delicate pink and rose-colored enamels, was widely popular during the 19th century. This style allowed artisans to create elaborate and colorful designs, making it particularly suitable for depicting narrative scenes and figures. The teapot depicting 'Cao E' and 'Ban Chao' is a testament to the rich cultural heritage of China during this period.…
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A Chinese porcelain Famille Verte plate depicting a garden and shopping scene, Daoguang period (1821-1850)
- The term "Famille Verte" translates to "green family" in French, referring to the predominant use of green enamel alongside other colors. These plates typically feature intricate designs depicting various themes such as landscapes, figures, flora, and fauna. The decoration is applied over a white porcelain base and fired at high temperatures to create a durable and glossy finish. Famille Verte…
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A Chinese porcelain flambé-glazed ‘hu’ vase, Qianlong mark
- Flambé glazing, characterized by its streaks of vibrant red and purple hues, was a popular technique during the Qing Dynasty. It involved firing the porcelain at high temperatures in a reducing atmosphere, resulting in the formation of unique and striking color variations on the surface of the vase. The 'Hu' shape vase holds significant cultural and historical importance in Chinese…
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